Friday, September 18, 2020

2. Introduction to Musical Elements and Notes

2. INTRODUCTION TO MUSICAL ELEMENTS AND NOTES

Similar to the letters of a language that is used to inscribe and record the word in a written form, the Musical notes and notations are used to inscribe and record the musical notes in a written form. Like the Letters of the language which is evolved over a long period, the musical notations were evolved over a long period too. Today many people use different ways to denote the musical notations according to their own culture and linguistics.
The Western notations have five lines with four spaces, Indian music notations are represented by sa, ri, ga, ma, pa, da, ni, and there are various other notations that are in use today.

Musical Elements

The common elements of music are pitch (which comprises melody and harmony), rhythm (associated concepts such as tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements.

Pitch is a subjective sensation to judge musical sounds, notes, or tones as "higher" and "lower" in the sense associated with musical melodies, basslines, and chords. Pitch can only be determined in sounds that have a frequency that is clear and stable enough to distinguish from noise. For example, it is much easier for listeners to discern the pitch of a note played on a piano than discerning the pitch of a crash cymbal that is struck.

A melody (also called a "tune") is a series of pitches (notes) sounding in succession, often in a rising and or falling pattern. The notes of a melody are typically created using pitch systems such as scales or modes. Melodies also often contain notes from the chords used in the song. The melodies in the folk songs and traditional songs mostly use only the notes of a single scale. The scale is associated with the tonic note and it is the key of a given song. For example, a folk song in the key of C (also referred to as C major) may have a melody that uses only the notes of the C major scale (the individual notes C, D, E, F, G, A, B, and C; these are the "white notes" of a piano keyboard. On the other hand, contemporary music from the 20th and 21st centuries may use melodies with many chromatic notes (i.e., notes in addition to the notes of the major scale on a piano; a chromatic scale would include all the notes on the keyboard, including the "white notes" and "black notes" and unusual scales, such as the whole tone scale (a whole tone scale in the key of C would contain the notes C, D, E, F#, G#, and A#). A low and deep musical line played by bass instruments such as double bass, electric bass or tuba is called a bassline.

When musicians play two, three, or more different notes at the same time, this creates a chord. In Western music, including classical music, pop music, rock music, and many related styles, the most common chords are triads– three notes usually played at the same time. The most commonly used chords are the major chord and the minor chord. An example of a major chord is the three pitches (C, E, and G) together. An example of a minor chord is the three pitches (A, C, and E) together.

Harmony refers to the "vertical" sounds of pitches in music, which means pitches that played or sung together to create a chord. Usually, this means the notes are played at the same time, although harmony may also be implied by a melody that outlines a harmonic structure (i.e., by using melody notes that are played one after the other outlining the notes of a chord). 

Rhythm is the arrangement of sounds and silences in time. A meter shows time in regular pulse groupings, called measures or bars, which in Western classical, popular, and traditional music often group notes in sets of two (e.g., 2/4 time), three (e.g., 3/4 time, also known as Waltz time, or 3/8 time), or four (e.g., 4/4 time). Meters are made easier to hear because songs and pieces often (but not always) place an emphasis on the first beat of each grouping. Notable exceptions exist. 

Musical texture is the overall sound of a piece of music commonly described according to the number of and the relationship between parts or lines of music: monophony, heterophony, polyphony, homophony, or monody. Music that contains a large number of parts (e.g., a solo instrument accompanied by 100 orchestral instruments with many interweaving melodic lines) is generally said to have a "thicker" or "denser" texture than work with few parts (e.g., a solo flute accompanied by a single cello).

Timbre, sometimes called "color" or "tone color". It is the quality or sound of a voice or instrument. Timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For example, a 440 Hz A note sounds different when it is played on oboe, piano or violin. Performers, including singers and instrumentalists can add musical expression to a song or piece by adding phrasing and effects such as vibrato (with voice and some instruments, such as guitar, violin, brass instruments, and woodwinds), dynamics (the loudness or softness of piece or a section of it), tempo fluctuations (e.g., ritardando or accelerando, which are, respectively slowing down and speeding up the tempo), and by changing the articulation of the notes (e.g., making notes more pronounced or accented, or by making notes more legato-smoothly connected).
In music, Form describes how the overall structure or plan of a song or piece of music describes the layout of a composition as divided into sections. Western pop and rock songs are often in verse-chorus form, which is based around a sequence of verse and chorus ("refrain") sections, with new lyrics for most verses and repeating lyrics for the choruses.

2.1.            MUSICAL NOTES:
There are only twelve notes out of which seven are natural notes (Diatonic/ Tone) and 5 other is Half notes (Chromatic/ Semitone) as Follows, which is repeated over again and again with different frequencies.

C     C#/Dþ    D     D#/Eþ    E      F      F#/Gþ      G       G#/Aþ     A      A#/Bþ     B
1       1 1/2    2          2 1/2    3      4       41/2     5          51/2      6        6 1/2      7  

NOTE: ‘#’should be read as ‘sharp’ and ‘þ’ should be read as ‘flat’

2.2.            MUSICAL INSTRUMENTS:
There are various musical instruments that were used and evolved over the centuries. The musical instruments could be classified into four major categories.

1.      Percussion Instruments
A percussion instrument is sounded by being struck or scraped by a beater. It could be struck, scraped or rubbed by hand; or struck against another similar instrument or sticks. The percussion family is believed to include the oldest musical instruments, following the human voice.
The percussion section of an orchestra most commonly contains instruments such as timpani, snare drum, bass drum, cymbals, triangle, tambourine, etc. However, the section can also contain non-percussive instruments, such as whistles and sirens, or a blown conch shell.
Keyboard percussion instruments such as the glockenspiel and xylophone (which do not have piano keyboards) are included. Some of the typical percussion instruments in the Indian context are Tabla, Dholak, Mridangam, Pakhavaj, Ghatam, Thavil, etc.  Percussion instruments are most commonly divided into two classes: Pitched percussion instruments, which produce notes with an identifiable pitch, and unpitched percussion instruments, which produce notes or sounds without an identifiable pitch. 


2.      Wind Instruments
A wind instrument contains some type of resonator (usually a tube), in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece that is set at the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, the sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece. Wind instruments are typically grouped into two families: 1. Brass instruments (horns, trumpets, trombones, euphoniums, and tubas). 2. Woodwind instruments (recorders, flutes, oboes, clarinets, saxophones, Digeriddo, and bassoons). Some of the Wind instruments in Indian context include Nathaswaram, Harmonium, Shehnai, Magudi, etc. 

3.     
Stringed Instruments
Stringed instruments are also called String instruments or chordophones. They produce sound from vibrating strings. In most string instruments, the vibrations are transmitted to the body of the instrument, which also vibrates, along with the air inside it. Common instruments in the string family include the violin, guitar, sitar, electric bass, viola, cello, harp, double bass, rebab, banjo, mandolin, ukulele, etc. Some of the Common Stringed instruments in India are Veena, Tanpura, Sarangi, Dilruba, etc.


4.      4. Electronic Instruments
An electronic musical instrument produces sound using electronics. Such an instrument sounds by outputting an electrical audio signal that ultimately goes in to the loudspeaker.
An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, or duration of each note. Electronic musical instruments are now widely used in most styles of music. The development of new electronic musical instruments, controllers, and synthesizers continues to be a highly active and interdisciplinary field of research. Specialized conferences, notably the International Conference on New Interfaces for Musical Expression, have organized to report cutting-edge work, as well as to provide a showcase for artists who perform or create music with new electronic music instruments, controllers, and synthesizers. The Common Electronic instruments are Keyboard, Themerin, Electronic Pad, etc. and many Instruments of the other three classes are also electrified for amplification and modulation of sound.

2.3.            KALAPRAMANA VARISAIGAL: 2 /4 RHYTHM

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2.5.            KALAPRAMANA VARISAIGAL: 5/4 RHYTHM

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2.7.            KALAPRAMANA VARISAIGAL: 7/4 RHYTHM

 

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2.8.            KALAPRAMANA VARISAIGAL: 9/4 RHYTHM

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